OK-- so to anyone and everyone who wants to read about why, here ya go. Most of the time, I try to investigate why I'm doing something. What is my intent? My motives? Is it love? Is it to give? Is it to receive? Is it to amuse? Mostly all of those things. Sometimes I remember to investigate motives, but I do forget and goof up and goof up often... but this isn't one of those times :)

So, anyway, why do I blog? First, if my perspectives and experiences can be of service to anyone, I offer them. I make a lot of mistakes and many can be learned by just reading and pointing your finger at me. Why make your own mistakes when you don't have to? I have learned so much from relating to real people and real stories that I decided to be one, myself, no holds barred. I tell you the truth from my very subjective perspective. It won't be someone else's, but its mine. If it helps anyone or even lightly amuses, wonderful.

The point is that if there is any one thing that can be gleaned from my blog about life, art, spirituality, love, sadness or joy that will help someone become more secure in themselves to live openly and connect in their lives... then, wonderful. If someone, through my hard-nosed exploration can see the beauty in their own complexities and falliblilties, then this is worth it to me and I will continue to do it.

I offer my vulnerabilities in love and with the intent of love only for that purpose. AA is this way, my Mom's saving grace. We'd both be dead if it wasn't for AA and how they handle life. They talk of struggles openly and about what helped them through hard times and it helps new people and the cycle of giving continues.

Sometimes along the way, even with the best of intents, people's toes get stepped on. A note to my loved ones of past, present and future: Existing as someone connected to me, you will be vulnerable and this won't be comfortable to you. It will require you to be courageous when you feel you can't. Do it anyway and release the shame. It'll be ok.

This is why I don't name names, although the names are easy to find if you look. But the real issue in this blog isn't the name, the person or even the event... it is the lesson learned in the grander scheme of the human condition.

So, if these lessons of the human condition have been lost in my posts, then the person doesn't get it and they shouldn't read any more. For example, the last two posts were about manipulation by people who don't necessarily look manipulative... to us or themselves. We do it all the time, all of us, and we don't even realize it. Myself, included. The posts were also about how our roles in relationships change depending on our strengths and weaknesses.

So, about accepting our roles in those relationships... I accept being a bad-girl (blunt? insensitive?)  sometimes to make someone feel better about themselves. (Its mental gymnastics to understand why I say that, I know. I've been a "guard-dog" for people who couldn't do it for themselves was one way.)

I live based on how I'd like to be treated, adhering to the golden rule. I had rather have my feelings hurt with someone's truth than be placated with a sweet lie. I own being blamed (and criticized) for the repercussions of those things, willingly. I played a role in the victim/rescuer experience without blaming a soul for it but myself and I don't regret it or intend to whine about it. I don't want pity. I did it, I'm an adult and thats that.

But I am also an odd bird, wild. My love runs rampant as much as the other extreme. I wear my heart, my weaknesses and triumphs on my sleeve, opting to be vulnerable all of the time. This woman is my hero, my example and she fully gets why I paint and live as I do. To understand "why" fully, watch this: 

Sure, I get hurt and some judgment, but its worth it. I am human and very fallible and just like you or anyone else you come across. I just happen to be an artist with a blog. (Not a CPA, secretary or accountant. An artist. Much of what I write about becomes paintings.)

So, about this blog, I had been slightly “threatened” that someone had “something” on me that I wouldn't want “out there”. I imagine, in retalliation for what I wrote. I'm curious what someone could possibly have that I don't readily admit on my back through an exposed, soft underbelly. Can't think of a thing. 

But, I am not, nor ever will get, into the habit of hiding anything. Our weakness IS our courage and the day we get that is the day we are whole. I bless someone in their endeavors to dig dirt up on me because its already been dug a long time ago. Airing dirty laundry? There is a spiritual principle behind this. Respect it or not, but watch Brene Brown's TED talk and then make your judgment.

There's more of this post if you click "read more" down there to the right. I hope all who reads the above or anything from this unrepentant wild-child is blessed with the courage for a more authentic and loving life.

Well, here is whats going on: Mom woke up. After almost 2 days of being silent, her main concerns were 1. I have canvases and I want to paint... will you bring me my stuff? and 2. I'm in hospice? What the hell for? 3. There is decisions being made for me? And its not me? WHY is THAT?! 

I have to laugh. As a fly on the wall, from an objective standpoint, its damned funny. Yes, we went through the gut wrenching series of grief stages, crying for hours, getting good and ticked off, meeting with doctors, being tired, wanting to just go hide, cry some more, call off all engagements---- all to come to this place. She's awake and is wanting to return to the rollercoaster, meaning that she wants all the life-sustaining devices she can get. This is what I wanted, to be out of that loop where I may or may not make the right decisions for her. 


And- I got to hear her say I love you one more time. I got to hear my Mom's voice again. Thank You, God. 

I understand what she wants, but there comes a time when what you're surviving/fighting for isn't worth it, imo. Maybe it always is? Is it the devil you know verses the one you don't thingy? 


Anyway, I can't say for her what that line-in-the-sand will be, as its not my decision. Like I told the doc, Dr. Weiss, she hung on for 20 years with a man who treated her as sewage, so there is no telling what she's willing to survive for.


Either way, the kidney dysfunction is causing severe nausea and other symptoms, in which she is unwilling or unable to eat. Everything, apparently, tastes like crap. So.... she's not eating. Which is what got us into this state, anyhoo. Yes, I did call her on it: eat or else you will get sicker and go on machines again and your brain will tap out. You will die. Eat and potentially puke or...... die. Those are your options. (Nausea meds don't touch this kind of nausea). No matter how much I love someone, I can't sugarcoat or placate. 

For Mom's fight and ours, this is my dedication to all of us (plus, it was an awesome experience when Charlotte and I saw them and this at Ozzfest ;): 

Its so hard to photograph one of these kinds of paintings! The glare is from all the transparent glass-like sheen, a killer to photo, but thats why I like it. OK, at the top left going clockwise, is his little brown hen's portrait. She was always on his mind, like the Elvis song, and is therefore over his head, and is always held to the highest like in her life. Her background is Mona Lisa's background. The image in front of The Good Man is also his hen, showing how he sings his love song "Unchained Melody", probably one of the most danced-to songs ever, and is probably what he felt after she passed away before he did. (Yes, animals do grieve.) He wraps her in his song. Above her head is written "She knows she's loved." This might be about her, but its more about me :) When you find a "good man", you know you're loved.

The music goes into his chest and becomes part of him because he makes it--- a creator cannot make something that isn't of him/herself, you cannot give what you don't have, as they say.

The lower right image is his bright, strong, stout legs that defended nests, dug food and showed both boundaries and kindness. In person, you can see the various shades of green at different levels of depth through the clear resin. The barbed wire is the barbed wire I wish we'd had when the neighbor's dogs had gotten loose.

The last image, the lower left, shows me really trying to capture all the colors in his feathers at once, capturing time in one glance. The only thing I could think of that held that many colors simultaneously is glitter. His feathers dangled down like earrings sometimes, like leaves and fruit from a branch, hence that odd looking decorative deely-bob on his tail.

His feathers are also referenced in the interference and iridescent colors used in the resin-glass pieces. If you look at it head on, you can see green, move to the left and you don’t see that one, but a purple sheen showing up somewhere else. The song wraps and creates both of them.

All in all, the entire color scheme is a suggestion of the time of year in which energy picks up: spring! Early spring has the chilly, frosty mornings and sunlight afternoons. Lil’ Dood was so happy around this time of year, full of himself and doing more dances and running around chanting “butter butt”.

The only thing I regret not doing was adding the chicks, but I suppose early spring is not the chick-time, so it can be overlooked. I may put a chick or two in there somewhere later.

New Painting update! Meet Lil’ Dood, "The Good Man". He is the subject behind a true story and Candie Tallquist’s inspiration. Candie needed something for the Great Northwest Glass Quest here in Stanwood/Camano Island, and since I needed something glass-like, I experimented with various layers of resin. The paint and objects between the layers of resin symbolizes the iridescent colors in his plumage.

Candie's need was the first inspiration, this supernatural story is the second. My Dad passed away March 19, 2006… a few months after Katrina and a week after my 33rd birthday.

On the anniversary of his death several years after he passed away, I was standing outside thinking about him and the wisteria plant he had given Stephen and I. My thoughts wandered to how he had this oddball love for bantam chickens and how he appreciated the spirited little things. I thought it was funny because they were supposed to be cross and territorial.

That afternoon, I kid you not, my Mom called and said that a chicken was walking around her apartment complex parking lot and asked if I wanted it. It’s a residential neighborhood and NO ONE kept chickens. (I didn’t know Moss Point, Jackson County, MS had laws against owning chickens, so I said “Sure”.)

So, here she comes, bringing this small bag- like the ones tree huggers like us use instead of plastic grocery bags. I asked “Well, where is it?” and she said, "In this bag". So, she takes this little skinny thing out and it walks around the kitchen. We didn’t know for sure if it was a chicken because it looked scrawny, like a roadrunner… but the minute “it” saw our pet Duck, he “bowed up” making the gender and message quite clear. I complained, “Oh, no, it’s a little dude!” because they are notorious for being mean-spirited. Great, I thought, now we have this little thing to kick our butts all the time. I can't not love any animal, so, he had a home and his new name, Lil’ Dood, stuck.

We kept this little guy, crowing and all, a secret. He didn't beat us up. He did dances when we clapped our hands and sang, but he was so lonely. He followed anyone and everything around the yard, mumbling “butter butt” to us, cats, other birds and the grumpy duck. He had even gotten to the point where we could pet him and he’d let us pick him up. This doesn’t sound anything like the mean, feisty little bantams I’ve heard from old timers’ stories.

So, we get him a hen. While she was being acclimated to the yard in a separate pen, Lil Dood tried to show his appreciation for her beauty—to which, she tried to open a can of whoop-ass on him. Good for him there was at least a barrier to save his physical feelings. His emotional ones? Not so much.

She continued to whoop him at every opportunity, so we got him another one. This one must be THE one :) It was love at first sight.  Pretty soon, he was scratching the ground and offering her food. What?! This is the mean little cranky breed everyone talks about?

Later, came the chicks. He was an even “better” father than he was “husband”. During the “pregnancy”, he was a wonderful husband and doted on the hen whenever she came out and, often, scratched and danced inside the nest box at her. Just about the only time he was cantankerous was when she bumped into him while he was asleep.

After the bantamlets hatched, he would scratch and point out bugs and food, not eating it himself- instead, offering his finds to the chicks. One grew up to be another “Lil’ Dood” who often tested his boundaries, yet Lil’ Dood, Sr. never pecked him, although he did put him in his place.

I can’t remember what happened to the little hen, but he was sad and lonely after she passed. He had a good life, although one without a mate, afterwards. Eventually, loose neighborhood dogs snuck into our fenced-in yard and that was the end of Lil’ Dood and a few of our other pets. I miss him and he continues to live on in a story I love to tell.

What makes Lil’ Dood supernatural?

First, the way and day we got him, exactly on the anniversary of my Dad’s passing, on a day when random, wistful thoughts turned into a funky walking reality. This tells me that God (whatever name anyone chooses to call “It”) has both a sense of timing and humor. Secondly, in relation to my Dad, I suppose this little bantam embodied the characteristics that he wished he could have been in his life: gentle, doting and vigilant. In my Dad’s sober times, this is what we had (on occasion). I suppose this is why we mourned his alcoholism so much.

Either way, we appreciate the time we spent with such a comic relief that was Lil’ Dood, and we know we gave him a good life while he was here. Just like my Dad.

How do we learn to fear being vulnerable? When do we learn to hide our feelings? One of the first times I remember something like that happening, I was playing with little neighbor kids. They were a little snooty, I was 5 or 6. I think I had mosquito bites and bruises all over my legs (being a tomboy) and they picked on me about it. Unrelenting in the torment, I went home crying.

That didn't change me, it didn't bother me that much: what stuck with me the longest was when I wrote them a note telling them how it effected me, my Mom telling me to stop crying and to tear up the note. It was the look on her face and the message "don't give them the satisfaction" and then something deeper... "how can she be so weak?"

My Mom is a strong woman who had a hard life. She cries for no one while they are alive and the only times I've seen her cry was for a pet, her brother and my Dad when they died. She has the hardest time crying (when she does) and her whole body shakes as if in a panic attack. So this is evident in her fear response towards anyone else's vulnerability. Cry if you fall down, sure, but the rest? Suck it up.

I'm not alone and neither are parents in these messages, given or received. So, that is how life went for me for 30 years. I never could understand why someone just couldn't be honest with their perspectives and perceptions and so I was completely conscious of keeping "it" all in. My art was the only release for the real me underneath so much so that I forgot how to talk about it. I had a realization something about me felt different from how everyone else appeared... and I wanted something unintelligible. Life felt like it had been inhabited by hard-shelled hostile entities, but I didn't know why. I felt de-skinned, ultra sensitive and exposed. 

Fast forward. Not only had I been dealing with invisible constraints and saw them in other people, I had also been dealing with a mild to moderate depression since graduation in '03, in '05 Katrina hit. The depression until then had taken the form of anxiety and agitated depression also known as mixed state or mixed episode (a very dangerous kind that infiltrates your thoughts, behaviors but with an anger and anxiety that makes one very scared of one's own capabilities. Most depressed people would kill themselves if they had the motivation, with mixed episodes, you have the energy, PLUS rage.)

Anyway, after Katrina, the need struck everyone everywhere and I couldn't help. People died, families were without anything, children didn't have homes, food, toys, anything. (I cannot stand suffering and have to do something.) At the time, I had JUST gotten into therapy. My father had just had a quintuple bypass (yes, quintuple. 5 arteries!!) and had lost everything in his home that had gotten 4-5 feet of storm surge.

The stress was too much to bear. One day, my Dad walked up to me in the kitchen while I was cooking chili for my whole family and instantly a tape played in front of my eyes in my mind of a scene of him with that expression, and I, when I was 3 years old. Front to back in complete clarity of me trying to talk him out of killing himself and trying to talk him into living. The "movie" included the sights, smells, sounds and emotions of that time. I was three, helpless, had no idea that the world existed outside my front door and that my dad's life--- and mine- were about to crumble.

That, my dear, is a flashback. And not the post-acid induced kind (which I never took, btw) or the fluffy, fuzzy flashbacks of romance movies. Its also symptom of PTSD.

For the first time since my teen years, I had been put in the position to care for my father. The first time was an unhealthy, parasitic version of exploitation in which I cared for his emotional health when I was only 3... the second was a natural progression of his own age and mortality, but the similarity was there enough to trigger the flashback.

I caught my breath, said nothing and finished dinner. It wasn't easy, but i did it. Throughout life in other areas, things had gotten progressively worse. People don't know that depression filters EVERYTHING that comes through your senses into your thoughts and heart and then filters everything that comes out of you into the world. It is like a black filter.

Something as simple as walking down a dock can be turned into an Alfred Hitchcock scene. As I was walking down a dock (we were looking at hurricane devastation), we encountered some fishermen on what was left of the dock. (what the hell???)

Instantly, I had the painting of Edvard Munch's The Scream flash before my eyes-- and I understood what he felt like. The people looked hostile (probably dealing with depression on their own, too, from Katrina) and had no friendly expression whatsoever. I got home and painted "Velveteen Scream". It was the pictoral expression of what vulnerability, and the lack of, feels like. Disconnection. Click the picture for more information on the painting and its symbolism.    

First let me tell you that...

I do love Albrecht Durer's Melancholia. Not only was he self aware enough to get it, but he could articulate it, too. Back then, I imagine that it was difficult to admit, having those times when nothing would come to mind "Aaaaah!! Artist's block!" Or just being damn frustrated with whatever it is that you're working on. Check out the details of this piece, the dog representing "loyalty" being skinny- or was the angel just too busy to feed him? Time is running out over the angel's head, so sayeth the hourglass. The sun has risen, yet nothing is finished, or even started on, and his marble piece and tools lay around, untouched. I've had those days. But not recently.

But I can't help but think the more we know inwardly, the less artist block we get. Why? There is so much emotional life inside each and every one of us and if you know what you're going through and can visually articulate it, you got a painting. Take Frida Kahlo, epsecially the movie scene where she was having a bath and was looking at the water and thinking. (If you haven't seen it, get it.) The name of her next painting was "What the Water Gave Me". Wonderful for her to acknowledge where her inspiration came from, just sitting in the bath and thinking.

The key is that she was aware of it and knew how she felt about the things she was thinking... enough to draw upon it and allegory. The issue is then you need the time to think.
 
Me, for instance, right now I have a painting in mind, but I'll brainstorm new ones for experiment's sake. My mom is getting older and I'm seeing the change from child role to mother role for me and mother to child for her. What does this translate into real world feelings??? I feel responsible, drained and worried. I can see a finished painting of a woman breastfeeding two children (one is a real baby) and the other one is a mini-adult--- the baby is getting skinnier (meaning that he's not getting the time and attention/nutrients he needs) while the other "infant" is getting fed. The woman is getting dangerously skinny, worse than the other two- meaning that there isn't enough of me to go around and thats how it feels. (Note, this isn't a bad thing, its just acknowledging where I am and this relates to acceptance. We can't accept things that we aren't even brave enough to acknowledge. Get your head out of denial. Denial=Artist's block). I don't wish her gone, I wish her healthy, but that isn't gonna happen at this stage in the game. I miss her being healthy and capable, I mourn her fun and light side. 

Thats another painting about another topic, too, but its too personal to put into public. I don't wanna go there yet and don't have to for now. That makes two, three actually, if you count the one that was already floating around in my head. Four: I feel comfort and love here at home and gratitude. Thats a "my cup overfloweth" piece :) Five, another issue floating around in the back of my mind about how men and women interact, ha ha.

Humor is an awesome inspirational source. Translate something serious into something funny. No one may want to buy it, but why are you painting, anyway?? I've sold a bunch that make me shake my head, anyway. Apparently, they got the humor and for that, I'm glad. But I always sell myself short anyhow.

Anyhow,  about the one I'm gonna start on next: I love to paint "quoting" old master's artwork by add onto and turning their pieces into another meaning. I'm going to use Albrecht Durer's melancholia up there and then put all around the angel (me) the things that distract me throughout the day, keeping that damn hourglass running out when nothing is done.

I've got adult ADHD and some days, its terrible to be in my head. Its such a pain in the ass to try to have a conversation when all of these extra things that no one else notices just overwhelm the thoughts in my head before I can get them out of my mouth. End of conversation for me, anyway. Now, forget about listening, too, for that matter. Yesterday was horrible. Sorry for TMI, but hormones play a role in how bad it gets due to PMS fluctuations effecting concentration, too.

Anyway, to do this, your feelings and the paintings have to be in sync somewhere. What Melancholia and I have in common is that we are both frustrated, feeling pretty unproductive and tense because time is running out. Ditto. The angel has the company of a cherub (Bun for me) and all of his/her wonderful tools.

What is the twist is that the angel is going to be exchanged for a frog. Yep, a frog. I love frogs because they're just funny looking and have these blank expressions on their faces. They just look like goobers and thats what I feel like. What am I saying with this??

That my brain is so reactive to sounds/lights/flickering that it reminds me of a reptilian brain. I can't direct it with will alone, (and I've got a strong one) so the damn thing pays attention to what it wants to no matter what I actually want. Perhaps I'll put bells here and there in the piece, with flies on them. That would signify "attention" on two levels. You know what a bell is for and you know what flies do for a frog. Scratch that, everything is going to have a fly on it and the frog is going to look all googly eyed like cookie monster, ha ha!

The understanding of an ADHD brain being (or feeling, for me at least) like a reptilian brain came from an article about working memory and adhd and thinking patterns. Normies think TOP DOWN in their functioning (internally driven attention). ADHD folks often think BOTTOM UP (externally driven) in their patterns, making them more reactive than other people. Ain't that the damn truth. Lemme see if I can find that article:
http://gazzaleylab.ucsf.edu/topdown-findings.html <---Thats not it, but it'll do.

Anyway, this is doing for me a few things.

First, I get to acknowledge the irritation I'm feeling. Second, I get to translate it into something light and funny and poke some fun at it. Thinking is fun, too.